X-FACTOR #84 – November 1992

Tough Love

Credits: Peter David (writer), Jae Lee (penciler), Al Milgrom (inker), Brad Vancata (colors), Richard Starkings (letters)

Summary

The members of X-Factor wait at the hospital for news on Xavier’s condition. To keep them preoccupied, Havok sends Strong Guy and Wolfsbane to Central Park to investigate the crime scene. While there, they run into X-Force. A fight breaks out as the remaining members of X-Factor arrive. X-Force retreats and Havok blasts their ship as it leaves. Meanwhile, the Horsemen deliver Cyclops and Jean Grey to Apocalypse, who is really Sinister in disguise. Back at the hospital, they learn that Xavier has been infected with a technovirus, transferring his living tissue into a mechanical organism.

Gimmicks

This is part two of the “X-Cutioner’s Song” crossover. It comes polybagged with a Caliban trading card

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Creative Differences

The last two pages are clearly done by a different letterer. On top of that, the last three balloons on the last page are done by yet another letterer. The final three balloons establish that Xavier is being moved to the X-Men’s mansion, leading in to the next chapter.

Review

It’s no secret that Peter David left X-Factor because he didn’t like the impact that crossovers had on his ongoing storylines. This issue is a classic example of that problem. Remember a few issues ago when Havok dramatically declared that the team was traveling to Genosha? It still hasn’t happened. And it won’t happen until this crossover is over in a few issues. David tries to tie the X-Patriots story into the crossover, but it’s obvious that their storyline isn’t a priority at this time. Even if there can’t really be an organic connection from X-Factor’s ongoing storyline to this crossover, David does use past continuity to give certain X-Factor members an investment in this storyline. The characters with a history with Xavier react strongly to what’s happened, and Wolfsbane has a confrontation with her former New Mutants teammates. These connections between characters were a big draw for the X-overs of the ‘90s. As a fan, I was excited to see X-Force and X-Factor finally confront one another.

Jae Lee is the fill-in artist for the crossover issues, doing a bizarre amalgam of Bill Sienkiewicz and the exaggerated early ‘90s style. In some panels it works, but a lot of it is needlessly dark and ugly. Normally, Lee would be a terrible match for David’s approach to this title, but having him draw a crossover issue with X-Force makes for a smoother transition. As a kid, I thought that these issues looked pretty cool. Wolverine has a cameo on page twenty-nine, and he looks like a monster. I think that’s exactly what most twelve year olds want to see, but it just looks strange now.