Orphan's End
Written by Douglas Booth
Summary:
Cyclops and Storm are alone in the mansion when they receive an
emergency beacon from a Shi’ar officer. The fugitive they’re asked to
apprehend is revealed as Corsair. After looking at Corsair’s locket,
which has a picture of his family from decades earlier, Cyclops realizes
Corsair is his father. Corsair explains that he’s being set up by a
corrupt Shi’ar officier who wants to kill a witness Corsair’s
protecting. Eventually, with the help of a crew member onboard the
Shi’ar ship, Cyclops is able to verify Corsair’s story. The rogue
officer is exposed, allowing Corsair to spend time on Earth reconnecting
with Cyclops.
Continuity Notes:
-
This episode is loosely based on the plot of Uncanny X-Men #154, which featured Cyclops and Storm aiding Corsair against Sidri Hunters. Corsair also reveals his true identity to Cyclops in the issue.
-
Storm’s model actually changes this episode! She’s wearing a ponytail, which is based on the one she occasionally wore in the comics of this era.
-
Deathbird has a cameo during a flashback, looking exactly as she appeared in the comics circa Uncanny X-Men #274-277.
Approved By Broadcast Standards: Corsair tells Cyclops that after being abducted by the Shi’ar, his mother was “destroyed before my eyes.”
“Huh?” Moment: The Shi’ar craft hunting Corsair has English characters written on its display monitors.
Review: In case you’re wondering, this is not
the Cyclops story that ended with the discovery of Jean Grey alive and
well on Earth. That one is still over a year away, even though the
show’s continuity is already several episodes past it. This is the
episode that borrows heavily from the Claremont/Cockrum era from the
comics, following the basic idea of Uncanny X-Men
#154 while inserting several new plot elements. Douglas Booth has
replaced the Sidri with a rogue Shi’ar officer, one that’s so corrupt
it’s obvious he’s evil just by his crazy eyes and menacing eyebrows.
During the course of the story, Cyclops and Storm go from chasing
Corsair, to befriending him, to turning on him (once they discover that
he has his own motivations for rescuing the witness), to going back to
his side and ultimately defeating the corrupt Shi’ar villain. The
twists are paced rather well, and the story manages to work in a Storm
vs. Starjammers fight that’s actually pretty enjoyable.
I
seem to recall a string of episodes from this era that look
surprisingly decent, even if they are trademark AKOM. I believe this is
the first in that run; the individual drawings look more consistent and
the cel-to-cel animation is a little less awkward. Cyclops looks
noticeably better this episode, as the animators have followed the lead
of the Philippines Animation Studio and inverted the colors on his
costume. Black with blue highlights is simply a more striking look than
the inverse. I complained about the color scheme of the earlier
episodes of this series, but by this point I think the color design of
the show is quite strong.
So,
Cyclops is looking nice in his spotlight episode. Good for him. For
most of the episode, his acting is still outrageously bad. Norm
Spencer’s performance is so needlessly loud
and overbearing during the opening acts that it’s hard to buy into any
of the emotional drama. To his credit, he starts to calm down and
actually do some legitimate acting towards the end of the episode, which
makes me wonder why the voice directors were ever happy with his
standard rigid performances. If he were capable of going in a different
direction, it’s amazing that no one bothered to push him towards a more
natural performance years earlier.
Credit to http://marvel.toonzone.net/
I was totally caught up with the original Claremont run by the time this episode aired, and I really liked that, even if they didn't adapt issue 154 completely, they used the Cyclops/Storm/Corsair grouping as in that story.
ReplyDeleteI'm guessing you're reviewing them in broadcast order, not production order, given that Jean was alive 2 episodes ago, no?
ReplyDeleteI can only imagine what it must have been like for the people who watched these episodes live as they aired, and how confusing it must have been.
I think Corsair asks about Jean at one point, and Cyclops has a throwaway line to the effect of "she got better" so it seems like this still should've taken place after Dark Phoenix. It's odd that this would follow right on the heels of Havok's introduction though, so the script order probably called for a few of those lost episodes between this and "Cold Comfort." In fact, I think the latter was supposed to go BEFORE Dark Phoenix.
ReplyDeleteAnd yes, AKOM taking a page out of the Philippines' book is a change for the better. I think this is the only time we see Storm in the ponytail though; it's a shame they didn't demonstrate more willingness to freshen up the character models, as even this slight variation is nice to see.
On that note, Cyclops makes a "costume change" in the middle of the episode, going from his standard uniform to the leather jacket! It was apparently stashed away on the monorail, just in case. (And this sadly concludes our Cyclops Leather Jacket Watch. It's the last time he wears it in the series. Devastating, I know.)
And speaking of that, this episode brings us Storm's immortal cry of, "I SHALL MEET YOU AT THE MONORAIL!"
This is the first of very few episodes in which Wolverine does not appear.