Why X-Men: The Animated Series' Final Season Looks So Odd

 

Over at CBR, I'm examining why the final season of X-Men: The Animated Series looked so...different. Actually, as it turns out, the show could've had a Joe Mad makeover in those final episodes!

The Death of Justice League Mortal

 

I'm revisiting the very-close-to-real Justice League Mortal film this week at CBR. It's Didio-tastic. Also, you might be interested in my full review of the new X-Men: The Animated Series art book.

When G.I. Joe Was Revived - Without Larry Hama

 

I'm looking back in the first comic of the 1980s revival -- the Image relaunch of G. I. Joe. Let me know if you have any suggests from the early 2000s revival craze you'd like to see covered.

X-Men: The Art and Making of The Animated Series - Not Quite a Review

 

I wouldn’t be prepared to call this a review, because reading through this tome will take a while. But it’s certainly worth mentioning. The publisher sent me a comp copy of X-Men: The Art and Making of The Animated Series a few days ago, the newest entry from X-Men: The Animated Series producers Eric & Julia Lewald. 

It covers much of the information detailed in Previously on X-Men, their in-depth retrospective of the series, with a noticeable addition. Previously was text, but this is, obviously, an art book. Not only an art book—it’s an extensive chronicle of the making of the show, describing in detail the pre-digital production of television animation in a way I haven’t seen before. But it also provides storyboards, cel art, sketches, background paintings, and very likely, a character model for every figure to appear on the show. Not only the standard character designs, but also every variation of the character. 

Remember those few seconds the Blob appeared dressed as a tourist eating ice cream in Season One? It’s there. So is the initial design of Wolverine in his ’80s brown and tan costume—swapped out when Jim Lee revived his previous look in early ’92. This is not a fast read, and it isn’t a quickie cash-in on nostalgia for the show. Its closest comparison is Paul Dini and Chip Kidd’s Batman: Animated coffee table book. Not as “design-y,” but just as comprehensive and carefully cultivated. Fans of the show, or anyone with an interest in the history of animation, should seek it out.

Superman: The Animated Series Could've Had a Radically Different Look

 

This week at CBR, I delve into why Superman: The Animated Series didn't embrace the same classic aesthetic of Batman: The Animated Series. A post inspired by a gallery of Bruce Timm's original 1940s designs for the show that I'd totally forgotten about.

And credit to the Watchtower Database and director Dan Riba for providing some previously unseen early designs for the series. I'll include them with this post for posterity...

The Birth of Comics' 1980s Retro Craze

 

This week, I launch a new series that looks back on the early 2000s trend of reviving 1980s toy and cartoon properties. It all started with a certain Wizard magazine article...perhaps the last significant contribution the magazine made to comics culture in this era.

And, because the editors saw fit to cut the justification for the title "Nostalgia Snake," here's the opening paragraph as originally written:

Welcome to the first installment of a new series I'm calling Nostalgia Snake, a look at a curious phenomenon from the past...the early 2000s revival of genre properties from the 1980s. The ouroboros  is an ancient symbol depicting a snake eating its own tail, usually viewed as symbolic of the concept of eternal cyclic renewal. Here, I'm talking about the twenty-year cycle of nostalgia. Just as fans were nostalgic for '80s properties in the early aughts, we've now reached twenty years since the revival of these properties. If the theory holds, this means people are now nostalgic for their nostalgia.

Spider-Man: The Animated Series And The "Insidious" Six

 

Adventure(s) Time is back, as I revisit the second season debut of Spider-Man: The Animated Series ...an early indication the show was headed in the wrong direction, to be honest.

Why Are Batman: The Animated Series Fans so Mean to "Mean Seasons?"

 

This week, I'm revisiting one of the more divisive Batman: The Animated Series episodes.

Revisiting Sam Hamm's Radically Different Script for "Batman 2"

 

My series on rejected screenplays continues...this week, I'm looking back at Sam Hamm's initial attempt at the movie later named Batman Returns.

2003's Teenage Mutant Ninja Turtles Kept All of the '80s in Casey Jones' Origin

This week, I'm looking back at the very 1980s debut of TMNT's Casey Jones, and how it was adapted for the 2000s. 

Was a Stan Lee/Steve Ditko Classic Animated by...Toei?

This week at CBR, I revisit the most loyal adaptation of Lee/Ditko's Spider-Man origin...hidden within the silliness of Amazing Friends.

Love is Dead(ly) is LIVE Now!

My novel from Burning Chair Publishing is now on sale at Amazon! The price is remaining only .99 for a limited time, so if you haven't downloaded it yet, you still have some time to get in on the reduced price. It's available as a part of the Kindle Unlimited program, a sort of Netflix for books offered by Amazon.

You can also check out an interview I did with the publisher to promote Love is Dead(ly). Discover the secret origin of the book, and the role Dan Aykroyd's stubborn refusal to cut a scene in Ghostbusters played in conceiving the story.

Also, you can win a signed copy of the book by entering this contest set up by Burning Chair. Just click the link...

What is Love is Dead(ly)? It's my first paranormal/urban fantasy novel, starring Brad Burns -- skilled psychic and all-around cad.  Brad uses his powers to shepherd the lost souls of the newly-departed to the light on the other side. In return for a fee. Naturally.

But when a case goes badly wrong, Brad finds himself the prisoner of those he’d usually be hunting. Can he use his unique talents to save not only his own skin, but all of humanity?

Because Brad Burns is the Paranormal Desperado. And he’ll be damned if he’ll let a bunch of pesky ghosts get in between him and those he loves.

Although maybe “damned” is tempting fate a bit too much...

If you check out the book, I'd love to hear what you think, so don't be shy about posting reviews on Amazon or Goodreads. As always, thanks for your support!

The Most Frustrating X-Men Film is now on Disney+

This week at CBR, I'm looking at how shameless fan service and nostalgia couldn't save X-Men: Apocalypse. (But, darn, it had potential.)

How Batman: The Animated Series Brought a 1970s Comics Classic to TV

This week at CBR, I'm looking back on the second chapter of "The Demon's Quest" on Batman: The Animated Series.

X-Men: The Animated Series' Manga Adaptation of "Deadly Reunions" is Nuts

This week, I'm looking at my favorite issue of the X-Men: Manga adaptation so far. Some truly crazy imagery here, elevating a scene that never truly worked for Saturday morning.

The Justice League Really Don't Like Each Other

I'm returning to the animated Justice League this week at CBR, revisiting a few times the team was pitted against itself. Maybe one day soon I'll be able to begin work on the Cadmus arc...

Love is Dead(ly) is Almost Here!

Gene Kendall here, shamelessly reposting my Gentlemen of Leisure entry to talk about my new novel, Love is Dead(ly), which is available for preorder on Amazon right now for just ninety-nine cents.

This novel has been in the works for quite a while now, with an early draft sitting in the drawer before I even began work on the Kindle Worlds G. I. Joe series. Love is Dead(ly) will be my first novel available as physical media, and the first time I’m working with a traditional publisher instead of going it alone. (This means the guy who spent so, so much time blogging about bad ’90s comics will now have a spot in libraries and bookstores worldwide. Scary.) The folks at Burning Chair have been great throughout the process, offering some insightful commentary while also respecting my creative peccadillos.

If you’re familiar with my work, you’ve likely noticed I have a soft spot for, well, unlikeable people. There’s a line, of course, where someone is just such a jerk you don’t want to read about him anymore. My creative instinct, for reasons likely to be mined by a court-appointed therapist someday, is to step just close enough to that line with my characters.

Love is Dead(ly) stars Brad Burns, a Los Angeles-based psychic who enjoys the finer things in life. Or, he did, until the credit card bills began to pile up, around the same time the IRS was taking a close examination of his bookkeeping practices. Adding to this irritation is his ex-wife, Sandra, who co-owns his Paranormal Investigations service and isn’t shy about reminding him who’s responsible for the messy dissolution of their marriage. (Spoiler: it isn’t Sandra.)

While working a case, Brad finds himself drawn into a mystic realm even he wasn’t sure existed. Although the prospect of escaping and saving his own skin is tempting, Brad soon realizes the stakes are far more severe than he initially thought…more like cataclysmic, end-of-the-world kind of stakes. And while a portion of Brad’s soul longs for the good times with Sandra, there’s a decent chance the two of them reconciling could be the event that sets the entire planet ablaze.

If you’d like a free, early preview of the book (and, very likely, a special surprise), just click here. As I said, the preorder is already up at Amazon so please check it out if you’re interested. (To be honest, I’m not sure how long the ninety-nine cents price will last.) As always, thanks for your support throughout the years!

Michael Chabon's Rejected Retro-Cool Fantastic Four Pitch

This week at CBR, I look what could be the strangest abandoned project (or simply a pitch) in the superhero film genre. In 1995, Michael Chabon wanted to take the Fantastic Four back to the 1960s...quite literally.