Monday, April 22, 2019
Revist both the days of 1990s after-school cartoons and inane early internet memes! This week at CBR!
Wednesday, April 17, 2019
Monday, April 15, 2019
This week at CBR, I revisit the first Harley spotlight tale from 1994. Then, a Batman Adventures story featuring the long-awaited (?) kiss between Harley and Batman.
Thursday, April 11, 2019
Monday, April 1, 2019
This week at CBR, I look back at Angela's debut on the animated Spawn...which, I'm assuming, led to nothing thanks to Neil Gaiman's hobby of suing Todd McFarlane.
Tuesday, March 26, 2019
This week at CBR, I revisit the Riddler's Batman: The Animated Series debut...followed by another look at the excellent final volume of Batman Adventures, which used the character brilliantly.
Friday, March 22, 2019
Okay, I'm relenting. I'm submitting to the public's demand of...2014 or so and finally delving into the rather infamous return of Chris Claremont to the X-Men in the year 2000.
Or am I?
The truth is, I've avoided looking back on these titles for a reason. I felt the comics internet of the time had already thoroughly dissected the aborted run...and wasn't eager to look into comics firmly not associated with the 1990s anyway.
As time has passed, I've noticed much of the commentary of that era has disappeared. And we're now approaching the twentieth anniversary of these comics. Also, I can't deny I've felt an increased desire to revisit this failed launch. To examine why it didn't connect, the context of the times, if there was anything of merit the cool kids overlooked...
There is a catch, though. I am an independent novelist. With a new book out. As such, I am in need of reviews for my novel, Black Hat Blues.
Amazon forbids bribing readers for reviews. Meaning, I can't promise to email you some exclusive story or blog post in exchange for leaving an Amazon review.
What I can do is predict a feeling that I'd be willing to post a review of an X-Men Revolution comic, for free for all to read, for every Amazon review of Black Hat Blues I receive, as of this date. These will be posted in appreciation -- to the universe -- sometime in May.
At the time of this writing, I'm at ten reviews. Amazon's algorithm apparently ignores books that have under 15 reviews. (Some people say you need as many as 50 reviews for Amazon to notice you.) To review the entirety of Claremont's return, that would take around thirty blog posts. So, that would mean 40 reviews on Amazon, given that I'm already at ten. But, hey, I'll throw in five freebies.
Understand you're not being obligated to purchase anything. My book is available for free to Kindle Unlimited members. Which itself offers a free trial membership. And you're not obligated to pretend you love the book if you don't.
I do think the novel is of interest to comics fans (you can read more about it here.) But everyone has different tastes and I respect that. All I can ask is for an open mind.
So...to sum up. Expect at least five X-Men Revolution reviews in May. Whether or not there are any more after that...this depends on forces beyond my control. But for everyone who's supported me in the past, you do have my appreciation.
Monday, March 18, 2019
My retrospective on the original Phoenix storyline continues at CBR. Relive Professor Xavier's evil cape, and the fill-in issue of Uncanny X-Men that inspired the episode.
Monday, March 11, 2019
Wednesday, March 6, 2019
Tuesday, March 5, 2019
Monday, March 4, 2019
This week at CBR, I'm looking back on the animated adaptation of the original "Phoenix Saga." And, just for kicks, examining some of the ways Chris Claremont edited his own material in Classic X-Men.
Thursday, February 28, 2019
My novel is now available for download! Check it out for free if you’re a Kindle Unlimited member.
Apparently, I do receive fairly decent royalties based on how far readers make it into the novel. With Amazon, you never know how long something lasts, but I hope you guys consider a download.
Black Hat Blues is the story of a washed up comics professional, facing the end of his career. Exciting stuff, I know.
Well, I’m not here to bore anyone. What if the bitter old man came face to face with his most malevolent creation? And people started disappearing?
Is the fictional comics pro based on any real creator? Well, there is that guy who still only communicates via fax.
And the prolific writer who once referred to Marvel’s editor-in-chief as “subliterate.”
And the living legend whose disdain for modern fanboys is palpable.
And the man who wove a creative tapestry over the course of decades, only to be removed in the middle of a storyline.
And the renowned artist who turned in pages of stick figure drawings, confident his contract allowed the creative expression.
And the creators who self-published an underground parody, later watching it become a worldwide merchandising sensation.
And the idealist writer working on that merchandising sensation who viewed it solely as a means of educating kids on hot-button environmental issues.
And the fiery lefty who was shamed by the internet, told his comic about a minority hero wasn’t “his story to tell.”
And the famous cheesecake artist who caused a stir when he dared present a fully clothed image of a superheroine with her butt in the air.
Seriously, he’s not based on anyone in particular. But all of these things were inspiration, adding some color to the character.
It’s not exactly a superhero story in the prose format, but comics-specific writing is an influence.
I’ve never read Mayer’s SUPERFOLKS, but I imagine it’s treading a similar path. Morrison and Busiek view SUPERFOLKS as revelatory. I’ve also heard complaints it’s poorly written. Don’t know.
I didn’t want the novel to influence what I was doing, but I’ll fully acknowledge other people have tested these ideas before.
Instead of setting a superhero story against the backdrop of a mid-life crisis, it’s more about looking back at the end and reflecting on what you’ve created.
It’s about creativity, and the forces standing against it. About family, what we leave behind, and how much of it even matters.
It’s also about those 1980s half-hour toy commercials, and the moral outrages of today, compared to yesterday’s.
I hope you give it a shot. I wrote it for a general audience, but comics fans, I think, can appreciate it on a different level.
However you feel, please leave an Amazon review. Apparently, a novel needs 15 reviews for Amazon's algorithm to notice, so I do need your help. Thanks!
Tuesday, February 26, 2019
I continue my deep dive into the HBO adaptation of Todd McFarlane's Spawn. This time, we're revisiting the (sorta) Stan Lee co-creation Overt-Kill.
Monday, February 25, 2019
Over at CBR, I'm examining the actors who would've made fantastic Wolverines in the MCU. Too bad they were already cast in other roles.
Friday, February 22, 2019
PART V: [ARE MADE OF THIS]
HIGH-PITCHED TRILL OF THE COBRA-LA DRONE WARRIORS was giving Low-Light a headache. The sniper was out of breath, sprinting through the crowd of crunchy bug-soldiers, trying to keep up with Duke and Falcon.
“Sniper for a reason…” he muttered to himself, in-between pained breaths.
Tuesday, February 19, 2019
This week at CBR, I'm revisiting the Morlocks and Reavers' odd role in the animated adaptation of the original Phoenix Saga.