Monday, July 15, 2019
Wednesday, July 10, 2019
Monday, July 8, 2019
Monday, July 1, 2019
Thursday, June 27, 2019
Credits: Chris Claremont (writer), German Garcia, Michael Ryan, and Randy Green (pencils), Panosian/Pepoy/Ketcham (inks), Richard Starkings & Comicraft (letters), Richard Isanove (colors)
Summary: Gambit’s team of X-Men raid an upscale party in Madripoor, aiding the Goth and Crimson Pirates in abducting several attendees. Rogue’s crew of X-Men arrive, stunned to see their teammates working with the villains. The two teams fight, with Rogue’s side apparently losing. Unbeknownst to their opponents, Gambit has touched skin with Rogue, imparting unto her the means of defeating the Goth’s leader. After everyone is teleported to their secret Chinese base, the united X-Men attack Tullamore Voge and his slavers. Rogue, having absorbed Gambit’s power, overloads the Goth’s leader with energy. The resulting explosion kills him, and enables the X-Men to defeat the slavers. Gambit, recognizing Rogue’s discomfort with killing their opponent, offers her his support.
Friday, June 21, 2019
Tuesday, June 18, 2019
Credits: Chris Claremont (writer), Adam Kubert (penciler), Tim Townsend w/Lary Stucker (inks), Richard Starkings & Comicraft (letters), Richard Isanove (colors)
Summary: The Crimson Pirates abduct Defense Minister Demetri Koniev, threatening his family if he doesn’t cooperate. Meanwhile, at the former KGB headquarters, Deb Levin and Major Vazhin join the X-Men in interrogating Tullamore Voge. Phoenix attempts to invade his thoughts, only to connect with Wolverine, using Cerebro in New York. While informing her of the Goth’s attack, Voge nabs Wolverine and nearly transforms him into a slave. Phoenix shunts him out of the Astral Plane just in time. Cable, however, is altered after entering Voge’s mind. He appears to be suddenly cured of the techno-organic virus, just as Minister Koniev appears outside, demanding entrance. When Vazhin refuses, the Crimson Pirates attack. The X-Men are robbed of their victory when Cable betrays the team. Facing a barrage from the Pirates, Beast is forced to retreat with Phoenix and Deb.
Monday, June 17, 2019
Friday, June 14, 2019
Tuesday, June 11, 2019
Is it possible Hollywood superstars and multi-million dollar budgets can't compete with a '90s cartoon series? I revisit the original Dark Phoenix Saga of the comics, and the animated adaptation at CBR.
Monday, June 10, 2019
Thursday, June 6, 2019
Credits: Chris Claremont (writer), Adam Kubert (penciler), Tim Townsend w/Dan Panosian (inkers), Richard Starkings & Comicraft (letters), Richard Isanove (colors)
Summary: In Moscow, Storm evokes the name of her thief mentor El-Gibar to solicit the aid of mobster Simyon Kurasov. She explains Azlexei Vazhin called in a favor owed by the Thieves Guild to have Gambit recruit the X-Men. Their mission was to free Vazhin’s associate, Deb Levin, from The Slash, a seedy club run by the mysterious Ransome Sole. Storm remained as backup, while Phoenix, Gambit, Cable, and Beast were captured by Sole’s young slave, a mutant named Sketch. With Simyon’s help, Storm arrives in time to stop a slave auction overseen by Sole. Bidding for the X-Men are representatives of the Neo’s Shockwave Riders, and the interdimensional slaver known as Tullamore Voge. With the aid of Sketch, the X-Men overcome Sole and his flunkies: Big Casino, Revenant, Manacle, Bludgeon, and Cudgel. The Shockwave Riders teleport away Sole and his lackeys, but Deb Levin is freed, and Tullamore Voge taken into custody.
Tuesday, June 4, 2019
Two obscure figures are made mainstream by Batman: The Animated Series. And what's the most obscure reference to '70s Marvel to appear on the show?
Monday, June 3, 2019
Inspired by the viral success of a certain commercial, we're looking back at the CBS Dungeons and Dragons cartoon this week at CBR.
Friday, May 31, 2019
The Cruelest Cut
Credits: Chris Claremont (writer), Lenil Francis Yu (penciler), Mark Morales (inker), Richard Starkings & Comicraft (letters), Liquid! (colors)
Summary: Wolverine and Dani Moonstar investigate the remains of Mr. Sinister’s base in Sage, Nebraska. Using her powers, Moonstar recreates Domina’s assault on Sinister and Sabretooth. In Brooklyn, Cecilia Reyes attempts to fight off the Neo with the aid of the drug, Rave. Rogue’s team of X-Men arrives as backup, soon joined by Archangel and Wolverine. Domina channels the powers of her fellow Neo, embarrassing the X-Men in battle. The Neo known as Barbican seals up the church complex, forcing the X-Men to escape through a disappearing tunnel, leaving Reyes and Charlotte Jones behind. Elsewhere, Senator Kelly visits his wife’s grave. Tessa appears, broaching the subject of his presidential run.
Monday, May 27, 2019
Credits: Chris Claremont (writer), Tom Raney (penciler), Scott Hanna (inker), Comicraft’s Saida Temofonte (letters), Brian Haberlin (colors)
Summary: Cable offers the team psychic protection to enter Phoenix’s mind. Soon, he must also defend her body from a new attack by the Shockwave Riders. Phoenix successfully defends herself inside the mind of the dying Shockwave Rider, but is unprepared for the astral arrival of the Lost Souls. The shadowy Neo faction invade the minds of the X-Men, manipulating their greatest fears, pressuring them to give in to despair. Phoenix overpowers their dark force, then uses her powers to revive the dying Shockwave Rider. The X-Men attempt to part peacefully with the Neo soldiers. Later, Gambit urges the team to join him on a mission he declares more important than the Neo.
How did X-Men: The Animated Series shock fans both old and new? And which two X-villains were named after jokes on the page margins? (Plus, it's an excuse to talk about the first John Byrne issue of Uncanny!)
Tuesday, May 21, 2019
Monday, May 20, 2019
Wednesday, May 15, 2019
Night of Masques
Credits: Chris Claremont (writer), Adam Kubert (penciler), Tim Townsend (inker), Comicraft’s Wes Abbott (letters), Richard Isanove (colors)
Summary: In the midst of Venice’s Carnival, Phoenix takes Cable to an abandoned, underground “library” she first visited as a youth with Professor Xavier. While reminiscing, she notices psychic calling cards left by Gambit. Beast and Storm soon arrive, citing notes from Gambit, directing them to Venice. Suddenly, a Neo faction called the Shockwave Riders targets Phoenix and Cable. Their Psishark enters Phoenix’s mind, consuming her memories. Most Neo teleport after their defeat, but one remains for questioning. He wills himself to die; to the team’s shock, Phoenix enters his dying mind, determined to retrieve her memories.
Monday, May 13, 2019
Thursday, May 9, 2019
End of Days
Credits: Chris Claremont (writer), Lenil Francis Yu (penciler), Mark Morales (inker), Richard Starkings & Comicraft (letters), Liquid! (colors)
Summary: Praying inside his church, Nightcrawler is ambushed by Rax, a member of a mysterious collective known as the Neo. Wounded, Nightcrawler locates Dr. Cecilia Reyes, unaware another Neo, Jaeger, is now hunting him. Reyes, panicked, shapes her forcefield into a spike and impales Jaeger. Elsewhere, a team of X-Men has joined Dr. Peter Corbeau’s crew in repairing the High Evolutionary’s orbital base. Seth, an undercover Neo, plants explosives and destroys the base. Combining their powers, Psylocke and Thunderbird rescue the crew inside a shuttle. Left behind, Shadowcat uses Seth’s spare space suit to return to Earth, certain it will take her to the Neo.
Tuesday, May 7, 2019
Monday, May 6, 2019
Before stepping into the strange, distant land of early 2000, I thought it best to examine the context of the times.
In the year 2000, a president has emerged from a sex scandal with his highest approval ratings, the pop charts belong once again to actual pop acts, cable TV is attracting mainstream audiences with content too extreme for network broadcasts, and the average American has taken AOL up on those trial discs and ventured online.
The overall culture is recovering from the world-weary, ironic distance of the 1990s and embracing…mostly garbage, it seems. Or, at the very least, material that would’ve been deemed too vulgar for polite society only a few years earlier.
Monday, April 29, 2019
Spikes and chains and disturbing acts... how did two issues of Spider-Man influence HBO's brutal cult classic cartoon? Find out this week at CBR.
Monday, April 22, 2019
Wednesday, April 17, 2019
Monday, April 15, 2019
This week at CBR, I revisit the first Harley spotlight tale from 1994. Then, a Batman Adventures story featuring the long-awaited (?) kiss between Harley and Batman.
Thursday, April 11, 2019
Monday, April 1, 2019
This week at CBR, I look back at Angela's debut on the animated Spawn...which, I'm assuming, led to nothing thanks to Neil Gaiman's hobby of suing Todd McFarlane.
Tuesday, March 26, 2019
This week at CBR, I revisit the Riddler's Batman: The Animated Series debut...followed by another look at the excellent final volume of Batman Adventures, which used the character brilliantly.
Friday, March 22, 2019
Okay, I'm relenting. I'm submitting to the public's demand of...2014 or so and finally delving into the rather infamous return of Chris Claremont to the X-Men in the year 2000.
Or am I?
The truth is, I've avoided looking back on these titles for a reason. I felt the comics internet of the time had already thoroughly dissected the aborted run...and wasn't eager to look into comics firmly not associated with the 1990s anyway.
As time has passed, I've noticed much of the commentary of that era has disappeared. And we're now approaching the twentieth anniversary of these comics. Also, I can't deny I've felt an increased desire to revisit this failed launch. To examine why it didn't connect, the context of the times, if there was anything of merit the cool kids overlooked...
There is a catch, though. I am an independent novelist. With a new book out. As such, I am in need of reviews for my novel, Black Hat Blues.
Amazon forbids bribing readers for reviews. Meaning, I can't promise to email you some exclusive story or blog post in exchange for leaving an Amazon review.
What I can do is predict a feeling that I'd be willing to post a review of an X-Men Revolution comic, for free for all to read, for every Amazon review of Black Hat Blues I receive, as of this date. These will be posted in appreciation -- to the universe -- sometime in May.
At the time of this writing, I'm at ten reviews. Amazon's algorithm apparently ignores books that have under 15 reviews. (Some people say you need as many as 50 reviews for Amazon to notice you.) To review the entirety of Claremont's return, that would take around thirty blog posts. So, that would mean 40 reviews on Amazon, given that I'm already at ten. But, hey, I'll throw in five freebies.
Understand you're not being obligated to purchase anything. My book is available for free to Kindle Unlimited members. Which itself offers a free trial membership. And you're not obligated to pretend you love the book if you don't.
I do think the novel is of interest to comics fans (you can read more about it here.) But everyone has different tastes and I respect that. All I can ask is for an open mind.
So...to sum up. Expect at least five X-Men Revolution reviews in May. Whether or not there are any more after that...this depends on forces beyond my control. But for everyone who's supported me in the past, you do have my appreciation.
Monday, March 18, 2019
My retrospective on the original Phoenix storyline continues at CBR. Relive Professor Xavier's evil cape, and the fill-in issue of Uncanny X-Men that inspired the episode.
Monday, March 11, 2019
Wednesday, March 6, 2019
Tuesday, March 5, 2019
Monday, March 4, 2019
This week at CBR, I'm looking back on the animated adaptation of the original "Phoenix Saga." And, just for kicks, examining some of the ways Chris Claremont edited his own material in Classic X-Men.
Thursday, February 28, 2019
My novel is now available for download! Check it out for free if you’re a Kindle Unlimited member.
Apparently, I do receive fairly decent royalties based on how far readers make it into the novel. With Amazon, you never know how long something lasts, but I hope you guys consider a download.
Black Hat Blues is the story of a washed up comics professional, facing the end of his career. Exciting stuff, I know.
Well, I’m not here to bore anyone. What if the bitter old man came face to face with his most malevolent creation? And people started disappearing?
Is the fictional comics pro based on any real creator? Well, there is that guy who still only communicates via fax.
And the prolific writer who once referred to Marvel’s editor-in-chief as “subliterate.”
And the living legend whose disdain for modern fanboys is palpable.
And the man who wove a creative tapestry over the course of decades, only to be removed in the middle of a storyline.
And the renowned artist who turned in pages of stick figure drawings, confident his contract allowed the creative expression.
And the creators who self-published an underground parody, later watching it become a worldwide merchandising sensation.
And the idealist writer working on that merchandising sensation who viewed it solely as a means of educating kids on hot-button environmental issues.
And the fiery lefty who was shamed by the internet, told his comic about a minority hero wasn’t “his story to tell.”
And the famous cheesecake artist who caused a stir when he dared present a fully clothed image of a superheroine with her butt in the air.
Seriously, he’s not based on anyone in particular. But all of these things were inspiration, adding some color to the character.
It’s not exactly a superhero story in the prose format, but comics-specific writing is an influence.
I’ve never read Mayer’s SUPERFOLKS, but I imagine it’s treading a similar path. Morrison and Busiek view SUPERFOLKS as revelatory. I’ve also heard complaints it’s poorly written. Don’t know.
I didn’t want the novel to influence what I was doing, but I’ll fully acknowledge other people have tested these ideas before.
Instead of setting a superhero story against the backdrop of a mid-life crisis, it’s more about looking back at the end and reflecting on what you’ve created.
It’s about creativity, and the forces standing against it. About family, what we leave behind, and how much of it even matters.
It’s also about those 1980s half-hour toy commercials, and the moral outrages of today, compared to yesterday’s.
I hope you give it a shot. I wrote it for a general audience, but comics fans, I think, can appreciate it on a different level.
However you feel, please leave an Amazon review. Apparently, a novel needs 15 reviews for Amazon's algorithm to notice, so I do need your help. Thanks!
Tuesday, February 26, 2019
I continue my deep dive into the HBO adaptation of Todd McFarlane's Spawn. This time, we're revisiting the (sorta) Stan Lee co-creation Overt-Kill.
Monday, February 25, 2019
Over at CBR, I'm examining the actors who would've made fantastic Wolverines in the MCU. Too bad they were already cast in other roles.
Friday, February 22, 2019
PART V: [ARE MADE OF THIS]
HIGH-PITCHED TRILL OF THE COBRA-LA DRONE WARRIORS was giving Low-Light a headache. The sniper was out of breath, sprinting through the crowd of crunchy bug-soldiers, trying to keep up with Duke and Falcon.
“Sniper for a reason…” he muttered to himself, in-between pained breaths.
Tuesday, February 19, 2019
This week at CBR, I'm revisiting the Morlocks and Reavers' odd role in the animated adaptation of the original Phoenix Saga.
Wednesday, February 13, 2019
Monday, February 11, 2019
Sunday, February 10, 2019
CAPTAIN AMERICA #354 - Jun ‘89. Notice they even altered the corner box.
Experimental layout has two stories taking up equal portions of each page. Gives the reader the option of reading north-south or east-west.