Showing posts with label war of the mutants. Show all posts
Showing posts with label war of the mutants. Show all posts

Friday, January 27, 2012

X-MAN #50 - April 1999



War of the Mutants Part Two: New Blood
Credits: Terry Kavanagh (writer), Luke Ross (penciler), Bud LaRosa (inker), Mike Thomas (colors), Richard Starkings & Comicraft (letters)

Summary: X-Man confronts Emma, who promises to lead him to Dark Beast if he helps her rescue Generation X. She telepathically traces the team to the New York sewers, where they’re soon confronted by Dark Beast’s new band of villains. Emma slips out of the battle to face Dark Beast, as X-Man and Gaia free Generation X. Gaia discovers a Brood egg, spoiling Dark Beast’s scheme to infect Gen X with the aliens. Dark Beast is revealed as a hologram and disappears. Emma telepathically feeds X-Man information scanned from his monitors, which she says will lead him to Dark Beast. Madelyne Pryor arrives and teleports X-Man away to Ireland, unaware that the Gauntlet is hiding outside of their inn.

Continuity Notes:
  • Madelyne is apparently trying to kill Ness, according to a brief subplot scene (check out the original art from this page here).
  • Gaia is suddenly wearing her Generation X uniform, even though the previous installment ended with her in normal clothes.
  • Dark Beast remarks that Emma performed “work” on his head when he arrived confused and disoriented on this world.That doesn’t make sense, given that they met in Generation X #-1, set ten years ago when Emma was sixteen.Dark Beast actually arrived in this world twenty years ago, according to X-Men Omega.
  • X-Man seems to believe Fever Pitch is our reality’s version of Holocaust/Nemesis.(If that’s the case, who was the Holocaust Stryfe wrote of in Stryfe’s Strike File?)
  • As for the rest of Dark Beast’s squad, the new members introduced this issue include Wynter (who’s being mentally controlled by Dark Beast), Obsidian the Dark, Integer, and Iron Maiden.

“Huh?” Moment: Emma tracks Dark Beast -- who, again, is mentally controlling one of his flunkies -- to his hidden lair with his psi-print. The same Dark Beast that’s revealed as a hologram just ten pages later. The story dismisses Emma’s ability to grab him by explaining that this is a “hard light” hologram…but how could hard light create thought patterns?

I Love the '90s: Emma instructs a nosey human student at the school to go watch The X-Files.

Review: This was the “War of the Mutants”?!? Wow...
So, after reviving the Emma Frost/Dark Beast mystery as the thread to tie this crossover together, what do we learn? That Emma helped repair Dark Beast’s mind after he arrived on this earth. (Never mind that the timeline doesn’t work, and none of the other AoA refugees were shown as severely mentally damaged following their arrival on this reality.) That’s the big reveal? Actually, is this even a reveal at all? Wasn’t this covered by the Generation X Flashback issue? If nothing new was supposed to be revealed, what was the point of this?

It certainly wasn’t to tease the idea of X-Man joining Generation X, since no character in the story ever seems to take the prospect seriously. It wasn’t to have X-Man team up with Generation X, since they barely appear in this issue, and are comatose for most of their brief appearance. If the story was supposed to be about the Dark Beast infecting Generation X with the Brood, that idea’s dismissed in the course of two panels. So, what’s left…the introduction of a new team for Dark Beast (who, perhaps, are still supposed to be called Gene Nation, even though the name never appears in the story)? That’s doubtful…Kavanagh doesn’t even seem slightly interested in the new characters. Even the revelation that Fever Pitch is potentially the once-popular AoA character Holocaust is treated as an afterthought. What we’re left with is a pointless crossover with a melodramatic, yet slightly generic, title that should’ve been saved for a higher-profile event. Or maybe a video game.

Monday, January 23, 2012

GENERATION X #50 - April 1999


War of the Mutants Part One: Divided We Fall
Credits: Jay Faerber (writer), Terry Dodson (penciler), Rachel Dodson (inker), John Kalisz (colors), Comicraft (letters)

Summary: As the school is opened to human students, Dark Beast and his minions spy on Gen X. When Emma Frost sees footage of X-Man on television, she telepathically reaches out to him. He senses her presence and discerns that Emma has a past with the Dark Beast. Meanwhile, Banshee sees surveillance footage of a helicopter abducting a student and races after him. In town, Gen X is attacked by the Dark Beast’s men. Gaia reaches Emma for help, but they’re suddenly interrupted by X-Man. Finally, Banshee tracks the helicopter to Vermont, where he's attacked by a large man.

Continuity Notes: The Dark Beast comments that he’s hidden in the sewers for decades to avoid being mistaken for this reality’s Hank McCoy. That’s irreconcilable with his earlier appearances, which audaciously claimed that he never even considered this reality had a Hank McCoy.

Emma’s sister Adrienne remarks that it’s good the school has changed its name back to “The Massachusetts Academy” given the public’s mistrust of Professor Xavier following the Onslaught event. That implies that the general public is aware that Xavier was Onslaught, which doesn’t work with continuity. At this point, even his identity as a mutant was still a secret.

Banshee is on the phone with a mystery man (?) who he’s recruiting as the school’s new gym teacher.

Dark Beast’s flunkies consist of new characters Membrain and Fever Pitch, along with a few leftover Gene Nation members, Hemingway and Vessel (whose names don’t seem to appear in this issue, which is annoying given how obscure these villains are).

Review: Generation X #1 and X-Man #1 didn’t debut in the same month, but due to the “Age of Apocalypse” storyline suspending Generation X for four months and X-Man continuing after the AoA stunt ended, they’ve run concurrent issue numbers since #5. No one thought to unite them for their twenty-fifth issues, but aren’t we lucky that someone’s decided to do a crossover during their fiftieth issues. (Of course, just two years later, they’ll reach cancellation together with their seventy-fifth issues. And the world is saved from gratuitous X-spinoffs forever…)

There is one obvious connection between X-Man and Generation X that hasn’t been explored yet, and that’s the teen angle. If Generation X is supposed to be training the next generation of mutants, and X-Man is a teenage mutant, the most powerful in the world, it makes sense to exploit that for one story. Another link would be Emma Frost’s past with X-Man’s arch-nemesis (whenever he bothers to remember X-Man), the Dark Beast. The exact nature of their relationship hasn’t been revealed at this point, even though Scott Lobdell hinted at their shared past early in Generation X’s run, and James Robinson detailed their first meeting in Generation X #-1.

I’m not sure if Jay Faerber was eager to participate in a crossover so early in his run, but he still works in a few decent ideas. Integrating the school with a new human student body opens the door to numerous story possibilities, making me wonder a) why no one’s done it before and b) why the concept was dismissed so quickly after Faerber’s exit. I’ll never understand the attitude that the X-teams shouldn’t be interacting with normal people. Isn’t this the entire point -- to train mutants to use their powers responsibly and be able to enter mainstream society? These titles have to be grounded in reality in order to work, so making the school a literal school and giving the team dozens of potential supporting cast members to interact with makes perfect sense.

Unfortunately, there’s no room to flesh out any of the new students this issue, but Faerber does find the space to split the team up into small groups and work in some characterization scenes. Husk is still angry at Chamber for brushing her off. Chamber doesn’t want to share the school with humans. Skin isn’t willing to believe all humans are bigots. M wants a tattoo to symbolize her ownership of her body. Synch is apparently the object of affection for M, Gaia, and Jubilee. Thankfully, the crossover material is simply used to justify the fight scenes, making this read like a standard Generation X issue that just happens to be concluded in X-Man.
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