Credits: Joseph Harris (writer), Tomm Coker & Troy Hubbs (art), Comicraft (letters), Felix Serrano (colors)
Summary: Chamber is haunted by strange dreams, as Dracula takes refuge in an abandoned church not far from Gen X’s school. While watching a movie with Synch and Banshee, Chamber is attacked by one of Dracula’s thralls in the theater's bathroom. Meanwhile, Dracula slips into the mansion and kidnaps Husk. The team unites and tracks Dracula to the church. Husk is rescued, but Chamber is stunned when Dracula restores his missing body parts. Following Husk’s lead, Chamber rejects Dracula’s influence and opens the curtains. Dracula evaporates in the sun, and the church collapses. Husk assures Chamber that this wasn’t “real,” unaware of the bite marks on his arm.
Continuity Notes: While synching Banshee’s sonic powers, Synch asks Banshee how he talks while “doing this.” I believe the official explanation is that Banshee cannot talk while using his sonic scream (see the opening of Uncanny X-Men #255), but due to the odd mechanics of word balloons, it often appears that he is speaking. Another example of strange word balloon mechanics would be characters reciting entire speeches while leaping in mid-air, which I didn’t really notice as a kid until Wizard made fun of Jim Lee for doing it in WildC.A.T.S. (EDIT: A commenter has informed me this scene was actually in Cyberforce.)
Review: I’m starting to wonder about the editing of Marvel’s 1998 annuals. Not only did the ’98 Uncanny X-Men annual duplicate a scene from a recent X-Men issue, but now Generation X is recycling the 1997 annual. I can’t blame anyone for forgetting the ’97 annual, as it was dreadful even by annual standards, so here’s a recap: Chamber discovers the rest of Generation X acting odd, which he soon learns is due to D’Spayre, who later restores Chamber’s original body as a part of his scheme to…do something. The 1998 annual has Generation X questioning Chamber’s odd behavior, which they soon learn is due to Dracula, who later restores Chamber’s original body as a part of his scheme to…do something. I realize it could be difficult to keep up with every X-title published, even within the span of a few years, but shouldn’t your current annual not duplicate the basic plot from just the previous year?
Overlooking the similar plots, the story still has major issues. While the pairing of Generation X and Dracula is a creative use of Marvel continuity, the characters aren’t given any real reason to be in the same story together. Dracula apparently just likes mutant blood, and has selected Chamber as his ideal target. Why exactly he’s wasting so much time entering Chamber’s dreams, teasing him with ideas of how “the powerful” should behave, is unclear. Maybe Dracula honestly views Chamber as more than just a hamburger, but the story never explains why he’s so interested in Chamber, or what his future plans for him would be. There’s more than enough text in this comic, unfortunately most of it’s wasted on tedious gothic narration rather than clarifying the villain’s motivation.
The ending is also a mess, as apparently the cast refuses to believe that their fight with Dracula was real, even though they’re standing in the ruins of the church that was destroyed during their fight. (Why would Dracula evaporating in the sun destroy the church, anyway?) Or is it only Chamber’s metamorphosis that was never “real”? Who can tell. And while I realize the non-ending that hints that Chamber might now be a vampire is a nod to the horror movies that inspired the story, it’s not a great way to end what’s essentially annual filler. I’ve gone through the comic three times and can’t find when exactly he was supposed to be bitten, anyway. So, as a story, this is just as disappointing as the previous annual it unintentionally imitated, but thankfully the art isn’t another bland Jim Lee rehash. Tomm Coker and Troy Hubbs fit the mood perfectly, and rival even Chris Bachalo when it comes to drawing Chamber.