Credits: Ben Raab (writer), Dale Eaglesham (penciler), Scott Hanna (inker), Richard Starkings & Comicraft (letters), Kevin Tinsley (colors)
Summary: Brian Braddock and Meggan hold their bachelor/bachelorette parties, with Mimic and Captain UK as invited guests. Both Meggan and Colossus ponder how to tell Brian about Meggan’s crush on Colossus. Eventually, Colossus decides to lie and tell Brian that he was the one with feelings for Meggan. Meanwhile, a new Executioner leads the Crazy Gang to attack Excalibur. During the fight, Executioner is unveiled as Feron, who attacked the team in order to seek their attention. After Excalibur affirms their friendship with Feron, he joins the party.
Continuity Notes: Feron explains his departure from the team, revealing that following Captain Britain’s disappearance in Excalibur #67, he was overwhelmed with Meggan’s empathetic grief. This lead to him losing his corporeal form and getting washed away in the tide. Eventually, he came across the Crazy Gang, and enacted his plan to punish Excalibur for forgetting him.
“Huh?” Moment: Douglock, the alien cybernetic being, is somehow able to get drunk on vodka.
I Love the '90s: Captain UK offers to show Mimic her copy of The Full Monty.
Review: Excalibur is coming to an end, so apparently it’s time to drag out the Alan Davis material that Marvel casually dumped when giving the book its X-makeover. Over fifty issues too late, we’re given an explanation for Feron’s disappearance, along with the return of Marvel UK villains, the Crazy Gang. Ben Raab could’ve revealed that Feron simply quit the team in-between issues, but instead he’s gone with a more elaborate “missing in action” resolution. Revealing that Feron mysteriously disappeared in-between issues makes the team look bad for never looking for him, but then again, since his disappearance was off-panel, you could just imagine that Excalibur’s search for their teammate also occurred in-between issues. Any anguished monologues about how badly they missed the little brat were also conveniently off-panel, of course. Really, the story’s not meant to be taken too seriously. It’s an excuse to bring back a forgotten former member and some old villains, wrapped around some standard bachelor party humor. It’s more amusing than most of Raab’s run so far, and Dale Eaglesham’s art is thankfully less “x-treme” than the previous issues.